'Ian Davenport' (2014)

'Ian Davenport' (2014)From the publisher: "Charting a history of intensely rigorous and unconventional painting processes, Martin Filler guides the reader through twenty five years of artistic production. From early electric fan paintings to his poured arches, circles, lines and puddle paintings, we see how Davenport has experimented with method and medium, exploring varying qualities and applications of paint, both in his early monochrome paintings and in his later

" which originally expressed the Christian desire to leave the earthly life and join Christ in eternal life

The fruit of their creative experimentation is clearly visible in Ink

it was the work Schreiner wished to be remembered for

The World According to Roger Ballen

227 x 227 x 16 mm | 128 pages | hardcover

and became friends

provides a vivid document both of Leibovitz’s development as a young artist and of a pivotal era

they were rediscovered at Harvard’s Peabody Museum in 1976

to The Long Wait

creating this sculptural work for the proto~ Specialised collection

Katharien De Villiers (b

it conjoins contributions from participants of a workshop on “undoing postcolonial knowledges: perspectives from academia_arts_activism” which was held at the University of Bayreuth/Germany in July 2019 that was organised by Manuela Bauche (FU Berlin)