'Pencil' (2019)

'Pencil' (2019)Paul Edmunds' work has largely focused on sculpture and print, using materials like bronze, polypropylene, brick clay and skateboard wheels, among many others, to realise his sculptures. In this four piece series, Edmunds follows the life cycle of the tree as a commodity. These pieces are part of the proto~ Specialised collection, and are made out of fragments and offcuts from the artists studio. These small handcrafted sculptures are made from cord,

the bodies of David Hockney

” This sentiment takes form in the itinerant installation Museum of Contemporary African Art (1997-2002)

reflecting on “art and its intersections” in contemporary South African communities of South Asian ancestry

From the author:

“Since South Africa's transition to democracy in 1994

These combined familiar

Colin Richards (b

proto~ made a selection of Perjovschi's work for this series of t-shirts and postcards

The studio is the crucial location for the creation of meaning: the place where linear thinking is abandoned and the material processes of the eye

From architecture to sculpture

Originally based in Cape Town

Jaimie Branch (b