Wampler Euphoria

Wampler EuphoriaWhen Brian created the circuit that would eventually become the Euphoria, he was working on creating a pedal that would go from clean tones to distorted tones while adding a bit of warmth. He wanted something for himself that would be dynamic, have a great sounding gritty tone to it yet be able to respond to the volume knob like a tube amp. Everything about Brian is in the dynamics of sound and if a pedal can't work with him dynamically, then he just

Control known as "Intensity" on other similar pedals

PROGRAM CHANGE #5 – JOEY (SLIDE) MODE

Dual loop tracks - create evolving multi-track compositions or fully fledged songs

·    Active bass and mid controls boost or cut the desired frequencies

Pickguard: cream

Selectable Bi-Amp mode splits bass rotor and treble horn signals to separate outputs

The guitar-slinging engineers at T-Rex have pulled out all the stops in making sure Tapster delivers the warm

A workhorse of a delay that is just as ready for the road as it is the studio

I was reminded of an effect my friend and guitarist Paul Rigby (Neko Case

The In control sets the amount of compression happening in the first and second compression stages

but even at full tilt it will preserve the attack of your instrument and keep its character

DID YOU SAY CHORUS AND FLANGER