SPRINGTIME

SPRINGTIME

clan crests

they are meant to work together and create a compelling overall image of a pastoral scene: distant fields can be seen off to the right behind an old

Canadian artist Jan Crawford

and the relationship between artist and material

Peter's process of sanding the multi layers of paint to reveal what is hidden beneath is a hint to the depth of his work - a reminder of the moments that need celebrating

gives his work a rare functional understanding of masks as living cultural objects rather than purely decorative forms

potlatch traditions

they are not strictly realistic

making them a timeless addition to any collection that celebrates beauty

almost wave-like movement

to come to the lodge to paint

Junior Henderson’s carvings are an exceptional choice for collectors seeking authentic Indigenous artwork that carries forward tradition